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Charles
Robert Stephens has enjoyed a career spanning a wide variety of roles and
styles in opera and concert music. His performances have shown “a committed
characterization and a voice of considerable beauty.” (Opera News, 1995) At
the New York City Opera he sang the role of Professor Friedrich Bhaer in the
New York premiere of Adamo’s Little Women, and was hailed by the New York
Times as a “baritone of smooth distinction.” Other New York City Opera roles
since his debut as Marcello in 1995 include Frank in Die Tote Stadt,
Sharpless in Madame Butterfly, and Germont in La Traviata. He has sung on
numerous occasions at Carnegie Hall in a variety of roles with Opera
Orchestra of New York, the Oratorio Society of New York, the Masterworks
Chorus, and Musica Sacra.
In his twenty years in New York City Mr. Stephens has sung as
guest soloist with most of New York’s premiere ensembles including Sacred
Music in a Sacred Space, Ascension Music, L’Opera Francais de New York,
Brooklyn Academy of Music’s Next Wave Festival, and many others. Now based
in Seattle he has sung with Seattle Symphony, Tacoma and Spokane Symphony
and Opera Companies, Portland Chamber Orchestra and many other the
orchestras and opera companies in the Pacific Northwest. He joins the roster
of Seattle Opera in 2010 for the premiere of Amelia by Daron Hagen.
Upcoming performances include two concerts with Stephen
Stubbs: Handel’s Esther and Monteverdi Vespers a return engagement with
Seattle Symphony in “Opera Festival,” a debut with Boston Early Music
Festival in Steffani's Niobe, Queen of Thebes and a return engagement with
the American Classical Orchestra as Jesus in Bach's St. Matthew Passion at
St. John the Divine in NYC. Locally he sings Carmina Burana, Handel’s
Alexander’s Feast, Vaughan Williams Five Mystical Songs and Sharpless in
Madama Butterfly.
On the international stage he has sung Rigoletto at Taipei’s
National Theater, Sharpless in Santo Domingo, Germont and Valentin (Faust)
in Montevideo, Uruguay, and Montano (Otello) in Mexico City. Concert tours
have taken him to France, Russia, and Canada.
In the United States Mr. Stephens has sung leading roles
throughout the country, including Rigoletto and Amonasro with El Paso Opera,
Germont with Minnesota Opera, Birmingham Opera, Tacoma Opera, Fresno
Symphony, and Connecticut Grand Opera, the High Priest in Samson et Delilah
with Palm Beach Opera, Figaro in the Barber of Seville with Hawaii Opera and
Mobile Opera, Belcore with Helena Symphony and Mobile Opera, Sharpless with
Opera Grand Rapids and Buffalo Opera, Gianni Schicchi with Buffalo Opera,
Rodrigo in Don Carlo and Count di Luna in Il Trovatore with Boston Bel
Canto, Silvio in Pagliacci with Tampa Opera and New Jersey State Opera,
Enrico in Lucia di Lammermoor with Connecticut Grand Opera, Guglielmo in
Cosi fan Tutte with Arizona Opera, and many others.
Mr. Stephens has worked closely with composers in the
preparation and performance of new works for the concert hall and the stage,
taking part in many premieres at Lincoln Center and as part of “Regina
Resnik Presents” television. He has sung Messiah and the great cantatas and
passions each year with such ensembles as the New York Collegium, the
Maryland Handel Festival, and Portland Baroque Orchestra. Mr. Stephens has
been invited to perform a wide range of works including Elijah, Bloch’s
Sacred Service, Carmina Burana, Verdi’s Requiem, and Mahler’s Songs of a
Wayfarer with many orchestras including the Hartford Symphony, Colorado
Symphony, North Carolina Symphony, American Classical Orchestra, and the
Symphony Orchestras of Montevideo, Uruguay and Mexico.
A native of New London, Connecticut, Mr. Stephens received
his training at the University of Connecticut, Boston University, the
Goldovsky Opera Institute, and the Santa Fe Opera.
CharlesRStephens@comcast.net
* www.northwestartists.org |
